[PDF][Download] I, Me, Mine Online Library - by George Harrison - bagingef7er8fryf79r8gFully revised and updated, including the latest changes to Copyright law. This essential and highly acclaimed guide, now updated and revised in its sixth edition, explains the business of the British music industry. Drawing on her extensive experience as a media lawyer, Ann Harrison offers a unique, expert opinion on the deals, the contracts and the business as a whole. She examines in detail the changing face of the music industry and provides absorbing and up-to-date case studies. Fully revised and updated.
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Music Law refers to legal aspects of the music industry, and certain legal aspects in other sectors of the entertainment industry. The music industry includes record labels , music publishers, merchandisers, the live events sector and of course performers and artists. The terms "music law" and "entertainment law", along with "business affairs", are used by the music and entertainment industry and should not be thought of as academic definitions.
Music: The Business (7th edition)
This essential and highly acclaimed guide, now updated and revised in its sixth edition, explains the business of the British music industry, from the developments in copyright law, new media, piracy, privacy, sponsorship and sampling to the impact of downloads and digital music. Drawing on her extensive experience as a media lawyer, Ann Harrison offers a unique, expert opinion on the deals, the contracts and the business as a whole. She examines in detail the changing face of the music industry and provides absorbing and up-to-date case studies. Whether you're a recording artist, songwriter, music business manager, industry executive, publisher, journalist, media student, accountant or lawyer, this practical and comprehensive guide is indispensable reading. Advanced Search. Book of the Month.
Chapter 1: Getting Started Introduction Creating a buzz The band name Trade mark search Showcasing your talent Presenting yourself well Short cuts The demo recording Getting help and putting together your team Conclusions. Chapter 2: Management Deals Introduction How to find a manager The principles What to look for in a manager What does a manager do for you? What is in a management contract? The managers role Conclusions. Introduction New business models The hype of the million pound record signing The legal principles Creative control versus large advances Types of deal Other aspects of recording contracts What happens in a production deal when a bigger company comes along? Introduction How to find a music publisher What does a publisher do? What are music publishing rights?
Timothy B. James Whitney Hicks M. Otto Kernberg M. David E. Cooley Ph. Michael Heim. Benjamin Natelson M.
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Volume 15 , Issue 2 , October Download PDF. Abstract Prior to digitalisation, the vertical structure of the market for recorded music could be described as a large number of creators composers, lyricists and musicians supplying creative expressions to a small number of larger record labels and publishers. These funded, produced, and marketed the resulting recorded music and subsequently sold these works to consumers through a fragmented retail sector. We argue that digitalisation has led to a new structure in which the retail segment has also become concentrated. Such a structure, with successive oligopolistic segments, can lead to higher consumer prices through double marginalisation.