The Sound and the Fury (W. Faulkner) - Thug Notes Summary and Analysis
The Sound and the Fury
The ostensible subject of The Sound and the Fury is the dissolution of the Compsons, one of those august old Mississippi families that fell on hard times and wild eccentricity after the Civil War. But in fact what William Faulkner is really after in his legendary novel is the kaleidoscope of consciousness--the overwrought mind caught in the act of thought. His rich, dark, scandal-ridden story of squandered fortune, incest in thought if not in deed , madness, congenital brain damage, theft, illegitimacy, and stoic endurance is told in the interior voices of three Compson brothers: first Benjy, the "idiot" man-child who blurs together three decades of inchoate sensations as he stalks the fringes of the family's former pasture; next Quentin, torturing himself brilliantly, obsessively over Caddy's lost virginity and his own failure to recover the family's honor as he wanders around the seedy fringes of Boston; and finally Jason, heartless, shrewd, sneaking, nursing a perpetual sense of injury and outrage against his outrageous family. If Benjy's section is the most daringly experimental, Jason's is the most harrowing. Notoriously "difficult," The Sound and the Fury is actually one of Faulkner's more accessible works once you get past the abrupt, unannounced time shifts--and certainly the most powerful emotionally. Everything is here: the complex equilibrium of pre-civil rights race relations; the conflict between Yankee capitalism and Southern agrarian values; a meditation on time, consciousness, and Western philosophy.
FP now includes eBooks in its collection. Book Details. It employs a number of narrative styles, including the technique known as stream of consciousness, pioneered by 20th-century European novelists such as James Joyce and Virginia Woolf. Published in , The Sound and the Fury was Faulkner's fourth novel, and was not immediately successful. In , however, when Faulkner's sixth novel, Sanctuary, was published—a sensationalist story, which Faulkner later claimed was written only for money—The Sound and the Fury also became commercially successful, and Faulkner began to receive critical attention.
The Sound and the Fury
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