Leonard Cohen on Leonard Cohen: Interviews and Encounters by Jeff BurgerThe Flame is the final work from Leonard Cohen, the revered poet and musician whose fans span generations and whose work is celebrated throughout the world. Featuring poems, excerpts from his private notebooks, lyrics, and hand-drawn self-portraits, The Flame offers an unprecedentedly intimate look inside the life and mind of a singular artist. A reckoning with a life lived deeply and passionately, with wit and panache, The Flame is a valedictory work. Leonard Cohen died in late Though he claimed not to know the origins of his poetry nor to be able to locate his mission, what Cohen offered his many fans and followers was the opportunity to partake of the kind of spiritual experience that makes it possible for us to feel, if only for a moment, that we are not alone.
Songwriter Leonard Cohen Discusses Fame, Poetry and Getting Older
When a poet dies, his publishers often hurry into print whatever scraps lie stuffed in his desk drawers or overflow his wastebasket. This is the book business at its darkest and most human, but many balance sheets have been balanced by a posthumous work or two. Death is the moment when all eyes are upon the poet for the last time; beyond, for most harmless drudges, lies the abyss.
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Book of Mercy is a poetry book by Canadian author, poet and singer-songwriter Leonard Cohen , published by McLelland and Stewart, and repackaged in March Its original publication was in Book of Mercy is considered a companion volume to Cohen's poetry collection, Book of Longing published in The poems are numbered rather than titled. Book of Mercy contains fifty poems.
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W as he, in the end, a musician or a poet? A grave philosopher or a grim sort of comedian? Jew or Buddhist? Hedonist or hermit? Across his 82 years, the Montreal-born Leonard Cohen was all of these things — and in his posthumous book of poetry, given the Lawrentian title The Flame by his son Adam, all sides of the man are present. And moreover, not demystifying it. To Cohen himself, though, it was never enough.
T he first time I came across Leonard Cohen — before I had ever heard his songs — I was an opinionated year-old. I was drawn to a volume of his poetry in a bookshop but when I got it home dismissed it as a too depressed and b — more snootily — as not literature. This grand book, The Flame , elegantly and posthumously published by Canongate, includes lyrics of last-gasp beauty from You Want It Darker — his final album with its against-the-odds satisfactions to do partly with the octogenarian unlikeliness of its existing at all. And as for the depression, it has a heroism now. Perhaps there was too much of the old man in the younger poet; youthful spark in the older writer is a finer thing. Whatever the truth, what is remarkable is that Cohen remained an unreconstructed romantic right to the end he died in , aged