The New York Times Non-Fiction Best Sellers of - WikipediaThe book, released September 23, sold 1. In addition to The Fault in Our Stars , other books with big-screen adaptations thrived in Frozen , a Golden Book by Victoria Saxon based on the Disney sensation of the same name the highest-grossing animated film of all time , sold more than , copies, hitting 10 on the overall list and was in eighth place on the juvenile list, where it was joined by four other Frozen books. The book, first published in , was adapted into a film by Angelina Jolie and premiered on Christmas Day. Once again, the charts revealed that, with the exception of Unbroken at 10, fiction still outperforms nonfiction digitally. The combined sales of , copies sold would place the book in the 16th spot on the juvenile list. Top 10 Print Bestsellers,
My Top 10 Favorite Nonfiction Books
The Shock of the New by Robert Hughes Hughes charts the story of modern art, from cubism to the avant garde. Gombrich examines the technical and aesthetic problems confronted by artists since the dawn of time. Ways of Seeing by John Berger A study of the ways in which we look at art, which changed the terms of a generation's engagement with visual culture.
The 100 greatest non-fiction books
The story of a woman kidnapped in Cleveland in , then tortured, who escaped in The former secretary of the Treasury explains the choices he and others made during the financial crisis. The journalist presents new material about N. The C. The Massachusetts senator describes her life, scholarship and battle for a consumer protection agency.
Topped by 'The Fault in Our Stars,' the print bestseller list was Killing Patton, the top-selling adult nonfiction title in print and the only.
personal finance books for 20 somethings
Browse the Best Books of 2018
Some of our greatest writers have also been some of our most prodigious drinkers. Her travels may not definitively answer why writers drink, but they shed a great deal of light on why these writers all men did. The restaurant kitchen, with its fast pace and soup of personalities, has given us some of the most memorable nonfiction of recent years. His sharp prose and technical detail carry the reader through an exhausting day and night of work, which thankfully ends in drinks. The author spent years developing sources and knowledge in the region and delivers a story that derives real emotional impact from his passion for Afghanistan, and his sorrow at its fading from Western view into a morass.