Fiction in translation | Books | The GuardianRey Rosa is capable of exploring the aftermath of crime and the philosophical ramifications of the modern age, but in this short novel he opts to tell a different kind of tale, abounding with restlessness and compulsion. The narrator becomes obsessed with the title character, a young woman with a penchant for stealing from the bookstore he owns. His discovery of her motives sets in motion a series of interconnected musings on the nature of storytelling, truth, and fiction itself. Mujila focuses on two old friends, Lucien and Requiem, who find their loyalty tested by their own ambitions and the often nefarious characters around them. Set in a run-down Seoul neighborhood with an uncertain future, it deals with dilemmas of urban-class structure that feel universal, even as the setting feels quite specific. As the central characters puzzle over their hesitant relationship, a series of mysterious events involve shadows that behave bizarrely, accumulating a kind of weight and density. Grotesque body horror — women setting themselves on fire, a girl yanking out her fingernails sorry!
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Fiction in translation
Fiction in translation. We were promised a less Eurocentric Nobel. We got two laureates from Europe Maya Jaggi. Published: 11 Oct Published: 3 Oct Published: 1 Oct
The Farm, by Héctor Abad, translated by Anne McLean, World Editions, RRP£ / Archipelago, RRP$ When his mother's death brings.
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There is a world out there, waiting to be explored and I am mighty happy that translators make us see the world, or as readers we would sure be missing out on a lot of great literature. Might I also add that this is a very personal list and I have not included all translated literature I have loved. It would have otherwise extended into pages. The protagonist, Sameera Parvin, moves to an unnamed Middle Eastern city to live with her father and relatives, and all is well till a revolution happens in the city. Life will never be the same for her. Benyamin draws on the religious and socio-political structure so well and without any bias, that it is a treat to read Jasmine Days.
Translation has always been a sensitive business. Translation can incite controversy — but it can also incite much worse, as in Tudor England where unauthorised translation could prove grounds for a hanging. Still, in spite of the troubles and terrors it occasionally kindles, translation has become a foundation of literature in a modern globalised world. Translated fiction has especially enjoyed something of a rebirth among English readers in recent years, thanks in part to the efforts of publishers capitalising on the popularity of contemporary writers like Stieg Larsson, Haruki Murakami and Karl Ove Knausgaard. The books collected here, all published within the last year, showcase some of this contemporary talent alongside some fresh translations of older and grander writers like Franz Kafka and Alexander Pushkin. Stefan Hertmans is a Flemish author and translator who currently lives in The Hague, and in his most recent work he blends fiction and non-fiction as he retells the life of Urbain Martien, his grandfather.
This book is as generous as it is challenging, as nostalgic as it is hopeful. Eleni Vakalo makes her readers hear and see the images written on the page; the book creates its own world around you as you read. Vakalo pushes the Greek language to its limits, stretching its syntax and playing up its room for ambiguity. Karen Emmerich spent over a decade translating these poems and finding ways for English, normally so resistant to ambiguity, to open up and allow for a similar, unsettling abstraction. The end result is nothing short of miraculous and an absolute pleasure to read in English translation. We announced the longlist and finalists here at the site earlier this spring.