(PDF) DISCUSSION ON T S ELIOT'S POETIC THEORY: A REVIEW | IASET US - donkeytime.orgIt also analyzes the way in which his theories present affinities with modern trends of philosophical thinking, such as historicist hermeneutics, relativism and pragmatism. As such, it has exacted a tremendous amount of labor from an array of scholars who have tried to decipher its many paradoxical formulations. His erudite idiom was taken as a privileged and exclusive form of discourse of the dominant ideology. Modern literary criticism became suspicious of value judgments and used theory to assault the assertions of tradition Graff, , From feminist quarters, Sandra M. In the sphere of literature, this impersonal order is the Tradition. If at present, the essay is being criticized because it makes a plea for order and stability, in , when it was published, it sounded deeply subversive.
Tradition and Individual Talent by T.S. Eliot हिंदी में सारांश समझे
Tradition and the Individual Talent
The essay brought into being two principal aspects of Eliot's critical domain tradition and impersonality in art and poetry, that rated over the realm of criticism. The essay also brings forth Eliot's views on the interrelation between traditional and individual talent. The essay brought into being the new approach with poets of everlasting significance and it also provided the parameters for the assessment of the genius and the shortcomings of the masters but contributed to the history of English Literature. The idea of tradition with all its magnificence, has a meaning beyond the conventional sense of term. It begins with a historical sense and goes on acquiring new dimensions along political and cultural dimension, and this creates a system of axes for the assessment of the worth and genius of a poet.
The essay was first published in The Egoist and later in Eliot's first book of criticism, "The Sacred Wood" While Eliot is most often known for his poetry, he also contributed to the field of literary criticism. It formulates Eliot's influential conception of the relationship between the poet and preceding literary tradition. This essay is divided into three parts: first the concept of "Tradition," then the Theory of Impersonal Poetry, and finally the conclusion. Eliot presents his conception of tradition and the definition of the poet and poetry in relation to it.
The essay was published across two issues of The Egoist , a magazine for which Eliot had become the assistant editor in The first section was published in volume six number four in September. The second and third were published in volume six number five, in December. Between and its closure in , The Egoist became a key site for innovation in the cultural movement which would become known as modernism. The version of the essay printed here has small differences to the one subsequently printed in anthologies.