Mulvey visual and other pleasures pdf

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mulvey visual and other pleasures pdf

Visual and Other Pleasures | SpringerLink

In feminist theory , the male gaze is the act of depicting women and the world, in the visual arts [1] and in literature , [2] from a masculine, heterosexual perspective that presents and represents women as sexual objects for the pleasure of the male viewer. The film critic Laura Mulvey coined the term male gaze , which is conceptually contrasted with and opposed by the female gaze. The existentialist philosopher Jean-Paul Sartre introduced the concept of le regard , the gaze , in Being and Nothingness , wherein the act of gazing at another human being creates a subjective power difference, which is felt by the gazer and by the gazed, because the person being gazed at is perceived as an object, not as a human being. In a narrative film, the visual perspective of the male gaze is the sight-line of the camera as the spectator's perspective — that of a heterosexual man whose sight lingers upon the curves of a woman's body. Such visualizations establish the roles of dominant-male and dominated-female, by representing the female as a passive object for the male gaze of the active viewer. The social pairing of the passive-object woman and the active-viewer man is a functional basis of patriarchy, i.
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What is MALE GAZE? What does MALE GAZE mean? MALE GAZE meaning, definition & explanation

FLM5203 - What is Cinema? (Critical Approaches) - 2019/20

Read Free For 30 Days. Mulvey, L. Flag for inappropriate content. Related titles. Carousel Previous Carousel Next.

To browse Academia. Skip to main content. You're using an out-of-date version of Internet Explorer. By using our site, you agree to our collection of information through the use of cookies. To learn more, view our Privacy Policy. Log In Sign Up. Arif Rohman, PhD.

About this book

Laura Mulvey born 15 August is a British feminist film theorist. -

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  1. Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Film Theory and Criticism: Introductory Readings. Eds. Leo Braudy and Marshall Cohen. New York.

  2. Laura Mulvey. I Introduction. 1. SEMESTER Woman then stands in patriachal culture as signifier for the male other, bound by a symbolic order but in one important aspect, from its skilled and satisfying manipulation of visual pleasure. Un-.

  3. Hollywood cinema still exploits the image of women Bibliography Primary source Secondary sources.

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