Review: Love and Summer, by William Trevor - The Globe and MailRate this book. In his characteristically masterly way, Trevor evokes the passions and frustrations of the people of a small Irish town during one long summer. A few miles out in the country, Dillahan, a farmer and a decent man, has married again: Ellie is the young convent girl who came to work for him when he was widowed. Ellie leads a quiet, routine life, often alone while Dillahan runs the farm. Florian is planning to leave Ireland and start over.
The Summer I Turned Pretty by Jenny Han - Book Review
Book Group Review “Love and Summer”
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T here is a touch of JD Salinger about William Trevor - except, of course, that Trevor publishes faithfully every few years: novels and collections of stories. He is 81 years old. His last short-story collection, Cheating at Canasta, began, as Roy Foster pointed out, with a masterpiece. How does he do it? This vexed, misused and secret word also applies to his new novel, Love and Summer a title that sings back to an earlier book, Death in Summer. His new work is all about life, and if there are dampers and de-accelerants on that life, it is nevertheless a fabulously benign book - almost, I might say, a work of sympathetic magic, as if to describe a troubled utopia might be to instate it. It is useful to state Trevor's ground, his Ireland inasmuch as one can guess it, think back into it.
What seems at first like a perfunctory tale of young love thwarted soon becomes something else in William Trevor's expert hands, yet the small twists that take place are never less than psychologically true.
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The subject who is truly loyal to the Chief Magistrate will neither advise nor submit to arbitrary measures. William Trevor's 14th novel, set "some years after the middle of the last century," begins with the death of a matriarch who specialized in hate, but its focus is love in all its needy, dangerous, difficult forms. For love, like truth, is always "blemished," Trevor suggests. The course of true love in this marvellously written, consummately plotted book is as unpredictable as it is imperfect - no mean feat for a story based on the timeworn romantic. Ellie, the ingenuous wife of Mr. Dillahan, a County Kerry farmer who lost his first wife and their child in an accident for which he holds himself responsible, falls in love for the first time with a feckless, bookish young man named Florian Kilderry. Whereas Florian has been indulged and cherished by his parents, growing up in Shelhanagh - a "Big House," as the Irish call their stately homes - amid endless parties and celebrations, Ellie, a foundling, has been raised by nuns at their convent-cum-orphanage at Cloonhill, a place where dancing or singing popular songs are punishable acts.